dance-tech.net

Interdisciplinary explorations on the performance of motion

Sarah H. Paulson
  • Brooklyn
  • United States
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stephanie tack and Sarah H. Paulson are now friends
April 5

Profile Information

Do you want this account to represent:
individual human (me)
Website:
http://www.faurotpaulson.com
About Me (human):
For the past six years I have been collaborating with Holly Faurot on endurance-oriented performances based on what we refer to as the Surveillance System, a physical network of bodies controlling bodies through movement, video, improvisation, and sound. These works exist somewhere between the realms of performance art and dance. They focus on movement as a language of basic human interaction, whether it is through a subtle gesture, a theatrical spectacle, or the placement of a body within a space.

Pre-recorded and live surveillance videos act as signals that trigger the performers’ options within the non-linear dramas. Choreographed and improvisational elements based on spontaneous decisions force us (and/or other performers) to learn how we fit within the system and how we can or cannot manipulate one another. Dynamic systems of communication emerge within these multi-sensory works.

Our performances relate to voyeurism, shifts in power-positions, and translation through different media. The temporality of installation art, contemporary dance, conceptual art, and video trends are all influences that inform our collaborative work.

We seek to bring humanness and the body to the public in its most shimmering form, whether it is through a triumphant sensory experience or a grotesque, yet celebrated, representation of reality.
Website:
http://www.faurotpaulson.com
Where are you based?
Brooklyn, New York
Areas of interest on performance and new media
performance, contemporary art, video, dance, installation, public art
How did you learn about dance-tech.net?
dtw
Environments and applications that you use the most for your projects
Final Cut ( or any other video editing), camera work, dance forms

Sarah H. Paulson's Photos

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Comment Wall (6 comments)

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At 11:24am on April 29, 2008, Tiffany Rhynard said…
Hi Sarah,

It is great to meet you. I really like the images on your page—intriguing work. I have been working with issues of conflict and consequences—specifically in relation to power dynamics and environment. Your Surveillance System sparked my interest. I come to the city periodically; let me know when you have some performances coming up, would love to see your work. I'll be in NYC for a week at the beginning of June.

best,
Tiffany
At 5:25am on April 29, 2008, ekmel ertan said…
Hi Sarah,
thank you. hope to meet in İstanbul then.
At 1:32am on April 25, 2008, Jaki Levy said…
what a great place to share - love that you've got this work up here!
At 12:53pm on April 24, 2008, Martha Williams said…
hey sarah, thanks for the friend invite. remind me how we may know each other?
At 9:19pm on April 22, 2008, Julie N. Cruse said…
- the emphasis on dismissal by identification and a utilitarian sense of priority in art-philosohpy - i.e how does it contribute? what does it give us? how does it make life new? so much is out there that no one holds the countercultural advantage these days. everything is countercultural and so not countercultural at all in so being.

- false promises rooted in dreams that get swept away with the changing tides - nothing permanent or lasting ever happens today because nothing is valued beyond its ability to be some new idea or new creative tool for us all to use and all are busy creating tools for all to use.

the quantity of these that are produced today and overlooked are evidence of that. we are in a sea of invention and so invention is no longer thrilling to anyone - especially because of bleeding edge, everything that is invented can be made closely enough related to everything else that the thing that is invented isn't even new. its muddy waters where all the "individual" is homogeneous.


so it's me dancing with me, like most people are dong nowadays anyway - isolation through constant connection
At 3:34pm on April 22, 2008, Tiffany Rhynard said…
hi sarah,

you seem like an interesting cat, i mean human. have we met before? i got an invite from you to be your dance net friend. i am happy to oblige. your work looks very interesting.

best,
tiffany
 
 

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Idanca.net (Brazil)

Performance na PUC-Rio

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We Make Money not Art

The Art of Fashion: Installing Allusions (Part 1)

64k
The exhibition at the Museum Boijmans Van Beuningen in Rotterdam investigates the borders between fashion and art. Today's fashion designers use installations and performances, and their designs are often more sculptural than wearable. Five of them have been commissioned to make new work specifically for the exhibition continue


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Links for 2009-11-30 [del.icio.us]

  • Katharina Fritsch - Hamburg - Harmlos und gefällig - Kunst - art-magazin.de
    Die deutsche Installationskünstlerin schlägt neuerdings einen heiteren, milderen Ton an, was nicht unbedingt ihr Stärke ist. Eine Ausstellung in den Hamburger Deichtorhallen.
  • Photography exhibition at the British Library | Culture | The Guardian
    The early Victorians were the first generation to see themselves through the camera lens, but the idea of photography, the possibility of making an exact reproduction of visual experience, was one – like flight and the philosophers' stone – that had haunted the imagination of inventors for centuries.
  • Submission | Pictoplasma | Berlin
    an open CALL FOR ENTRIES for the Festival's big screen animation programs.
  • In pictures: Earth - Art of a changing world | Environment | guardian.co.uk
    Pictures from Earth: Art of a Changing World is a new exhibition at the Royal Academy, London, bringing together over 30 leading international contemporary artists to examine the impact of global climate change on humanity through visual art, installation and sculpture. The exhibition opens on 3 December 2009 and runs until 31 January 2010
  • Orchestrations | Flanders Today
    Raes has been dedicated to the promotion and performance of experimental music and sound art for more than 40 years. He and partner, Moniek Darge, were named “cultural ambassadors” to Flanders in 1997 for their pioneering performances and extensive travels as the Logos Duo.
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    Matthias Bruggmann est photographe reporter, et même plus précisément « photographe de guerre », les territoires qu’il photographie sont la Somalie, l’Afghanistan, l’Irak, Haïti. Ces populations qu’approche de très près l’artiste, et qui le considèrent souvent avec méfiance, se trouvent prises dans d’importants bouleversements sociaux politiques.
  • ArtSlant - November 6th - December 23rd, Galerie Taiss, klavdij sluban
    Klavdij Sluban se déplace à pied à travers les villes d'un Far Est abandonné, où sont passés les habitants ? Il en reste quelques-uns, emmitonnés dans le brouillard, quelques bêtes en fuite ou le dos au mur. À la recherche d'êtres humains, le photographe insiste au-delà de l'Europe, il pénètre en Asie, Russie, Mongolie, Chine, avec le transsibérien, mais il ne rencontre aucune densité humaine. Partout, la géographie prédomine et rend l'espèce humaine négligeable.
  • ArtSlant - November 5th - January 3rd, 2010, Galerie Blue Square, Doris Kloster-Folliet, John Lucas, Vladimir Sichov, Alexei Titarenko, Alexei Vassiliev
    Pour commencer sa troisième année d!existence, la galerie blue square est heureuse de présenter une exposition collective de cinq photographes qui ont chacun travaillé sur des représentations nostalgiques de l!ex Union Soviétique. La première exposition de la galerie rassemblant des artistes de l!Ouest comme de l!Est participe également auxc ommémorations du 20ème anniversaire de la chute du Mur de Berlin en présentant une série exceptionnelle de photographies de Keith Haring peignant sur le Mur et prise par le photographe russe Vladimir Sichov en 1986.

Art Review Videos

ArtReview Close Encounters: Bob and Roberta Smith

ArtReview’s Oliver Basciano meets Bob and Roberta Smith on the occasion of the artist’s installation Factory Outlet, at Beaconsfield, London

ArtReview Close Encounters: Frieze Projects 2009

Artists Stephanie Syjuco, Kim Coleman, Per-Oskar Leu and Ryan Gander speak with ArtReview about their projects for Frieze Art Fair. Interviews by Oliver Basciano and J.J. Charlesworth.

ArtReview Close Encounters: Martin Creed

Oliver Basciano meets Martin Creed during rehearsals for his Ballet (Work No. 1020), at Sadler's Wells, London, 16–18 October

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ArtReview Close Encounters: Athanasios Argianas

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IETM International Network for the Performing Arts

Call for case studies contributions - Conference New Times New Models


The core issue of New Times New Models is how relations can be improved between public authorities, the private sector and independent cultural centres.

Call for applications - SPACE looking for programmers

SPACE, which IETM is a partner of, is providing a mobile European training programme for professionals who are programming performing arts within festivals and/or venues and who want to deepen their knowledge and analyse and improve their recent and future work.

EU Project Looping'09 : Hermann Heisig, Irina Mueller + Nuno Lucas (DE) | Ana Catalina Gubandru (RO) | Ayse Orhon (TR)

LOOPING is an european project supported by the EU Culture 2007-2013 program co-organized by O Espaço do Tempo art centre (Portugal); Uzès Danse (France), TanzWerkstatt Berlin (Germany) and with the partnership of Kanuti Gildi SAAL (Estonia).

Performance Woman Bomb

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:Danish+ Showcase and Conference

:DANISH+ is a showcase of professional Danish performing arts for children and young people - supported by the Danish Arts Council and organized by Gruppe 38.
 

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