art | embodiment | cognition | networks | post-humanism | crypto
With limited resources, how should a dance film service organization best focus their efforts on nurturing the dance filmmaker? Do dance film festivals actually help the dance filmmaker? When DFA's Festival started in 1971, it formed a community, brought the user, producer, and filmmaker together. But now with over 5,000 film festivals and dance film festivals sprouting up everywhere, multiple options to screen your work on-line, what impact does a screening have on a filmmaker's career.…
ContinueAdded by Deirdre Towers on February 13, 2011 at 10:30am — 2 Comments
Added by Marlon Barrios Solano on February 12, 2011 at 5:30pm — 2 Comments
Yes!
Our recently created series CHOREOGRAFY or ELSE: Contemporary Experiments on the Performance of Motion has been included as a relevant reference on research on contemporary choreography a project supported by…
ContinueAdded by Marlon Barrios Solano on February 12, 2011 at 3:30pm — No Comments
Prague Call for Participation | Deadline 22|2|2011
ENTER: DATAPOLIS (April 14-17, 2011) is the 5th art | tech biennale held in
Prague, Czech Republic, organized by CIANT.
http://festival-enter.cz
Exhibitions | Performances | Lectures | Debates |…
Added by Marlon Barrios Solano on February 12, 2011 at 2:49pm — No Comments
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"Glorious Hole"Added by Contemporary Performance on February 12, 2011 at 2:07pm — No Comments
Centre for Contemporary and Digital Performance
School of Arts, Brunel University
In collaboration with dance-techTV
Lectures will be streamed LIVE with remote audience interaction
Added by Marlon Barrios Solano on February 12, 2011 at 2:00pm — No Comments
Wondering how Wim Wenders 3d film on Pina Bausch is being received at Berlin Film Festival, I scanned the website of this famous festival. What can be learned from how they run it?
Asked to do a self-evaluation for DFA's Board, I am exploring a bit beyond the same final report requested by any funding agency, such as NEA. What more could be done?
The Berlin Festival proudly presents 8 categories of films: 1) BIG name fiction features expecting big audiences, 2) art…
ContinueAdded by Deirdre Towers on February 12, 2011 at 9:00am — 3 Comments
Added by Marlon Barrios Solano on February 11, 2011 at 4:30pm — 1 Comment
Added by Stanislav Genadiev on February 11, 2011 at 8:24am — No Comments
Added by Marlon Barrios Solano on February 10, 2011 at 5:48pm — No Comments
Hello!
I'm now entering, since some months ago, the world of MSP. I had the chance to explore the basic concepts of MAX and some of the Jitter elements. As a musician I would like to take advantage of the infinite possibilities of MSP to get a more interesting sound, and of course more open to visual and performative systems.
The truth is that I go very slowly, reading the great tutorials. I don't have much time lately, so I slowly learn the basics of the audio flow in Max. I…
ContinueAdded by Pablo Esbert Lilienfeld on February 10, 2011 at 1:01pm — No Comments
Added by Carolina De Luca on February 10, 2011 at 12:48pm — No Comments
Added by Contemporary Performance on February 9, 2011 at 1:52pm — No Comments
Manolis Tsipos (Athens & Amsterdam)
Occupation:
performance maker, performer, writer, DasArts attendant
Bio
He was born in 1979. He is currently a participant of DasArts-Master of Theatre, in Amsterdam, The Netherlands. He is co-founder of the theatre collective "Nova…
Added by Contemporary Performance on February 9, 2011 at 9:41am — No Comments
Added by Contemporary Performance on February 5, 2011 at 4:15pm — 1 Comment
Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and theorist, coined the term “telematic art” to describe the use of online computer networks as an artistic medium. In Telematic Embrace Edward A. Shanken gathers, for the first time, an impressive compilation of more than three decades of Ascott’s philosophies on aesthetics, interactivity, and the sense of self and community in…
ContinueAdded by Contemporary Performance on February 5, 2011 at 10:44am — No Comments
Mundo Perfeito means: “perfect world”. This company is based on a kitchen in a small apartment in Amadora, a city in the suburbs of Lisbon. The company’s name translates the irony of a critic way of regarding the present and the idealism of an optimistic behaviour towards the future. It is also a name that makes people smile, for whatever reason.
Organized around the…
Added by Contemporary Performance on February 4, 2011 at 9:39am — No Comments
I have two different names:
Liliana Goldman (maiden name)
Liliana Carrizo (married name)
According to a U.S. census information website (http://www.census-online.us/search/GOLDMAN,LILIANA) there are 5 of us “Liliana Goldman”s who exist (at least in this part of the world). One of my alter-cyber-identities is a pug, who happens to like fine jewelry:…
ContinueAdded by Liliana Goldman Carrizo on February 2, 2011 at 8:34pm — 1 Comment
Chisenhale Dance Space is looking for volunteers to help with our TV Dinners Festival. TV Dinners is a 4-day festival celebrating dance, film and food and was hugely successful last year. Each day of TV Dinners is a different event.
The festival schedule is as follows:
Wednesday March 16th- Dance Film Pub Quiz night 7-11:30pm
Thursday March 17th- New Dance Film Screening and Movie 7-11:30pm
Friday March 18th…
ContinueAdded by Chisenhale Dance on February 2, 2011 at 10:24am — No Comments
Eclectic weekend dance performances at the Dance Complex in Cambridge, MA, portrayed the diversity of talent and culture that is embedded in lifestyle, here, during the 21st Century. The Dance Complex itself, formed in 1991, in order to secure the…
ContinueAdded by Lisa Leake on February 1, 2011 at 8:18pm — No Comments
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