Interdisciplinary explorations on the performance of motion
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Carolina De Luca
- Female
- Buenos Aires
- Argentina
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Carolina De Luca's Page
Latest Activity
wish i could come, but have to make work here...maybe one day carolina when the cold and rain gets too much.
The performer as a creative subject
and the space as a partenaire
(Just a workshop beside the sea)
January 14 to 17, 2010
El mangrullo de Galito. Mar Azul. Argentina. All you are invited
http://mar-en-danza.blogspot.com/
Vacía de Espacio Th...
Love these images of innocence at 1:22 1:34 4:47...i really wanted to see them use the environment a bit more, but still loved the hesitation and gentleness with which they explored this environment. I also wanted more diegetic sound, but that is ...
More info
http://carolinadeluca.blogspot.com/
vaciadeespacio@yahoo.com.ar
Vacía de Espacio Teatro danza Clases y Talleres 2do cuatrimestre
1. Danza Teatro: Entrenamiento y Montaje
Abierto a todos los niveles de Experiencia.
Viernes de 19:30 a 22 hs Boedo
Destinado a estudiantes de danza, teatro, músicos, cantantes ...
Pina Bausch extract of a coffee with Pina the marvallous film by Lee Yanor
DESPEDIDAS > ADIOS A PINA BAUSCH (1940 - 2009)
Los pasos perdidos
Por Pina Bausch
¿Hago teatro o hago danza? Una pregunta que no me planteo jamás. En todo caso la respuesta puede que esté en la definición de mi compañía: se denomina de teatro ...
Spontaneous Composition
The open meetings of Spontaneous Composition are thought as a space of dialogue, training and creation where the diversity and integration of languages are considered the founding premises of the project.
The directors of ...
Hola soy Carolina De Luca de Argentina. Realmente hay poca bibliografía en español sobre este tema que proponen. Estaré a la pesca de toda información que pueda socializar por aquí.
Abrazo
target="_blank">http://carolinadeluca.blogspot.com
http:...
Discusion de topicos en performance y nuevas tecmologias en espaniol.
Profile Information
- FULL NAME
- Carolina De Luca
- Do you want this account to represent:
- individual human (me), organization of humans (us) many of you
- If you are an organization, what kind of organization?
- Company
- Website:
- http://carolinadeluca.blogspot.com
- About Me (human):
- choreografer, dancer, director.
- Website:
- http://vaciadeespacio.blogspot.com
- Where are you based?
- Buenos Aires, Argentina, Sud America
- Languages that you would use in this network besides English:
- spanish
- Areas of interest on performance and new media
- video dance
- How did you learn about dance-tech.net?
- red sudamericana de danza
- Environments and applications that you use the most for your projects
- camera work, dance forms
- How do you train yourself or your performers. How do you approach your embodied practices? what kind of technique do you use?
- Vacia de Espacio Independent Dance Theatre Company
It was born from our desire of shortening the distance among theatre, dance, music, visual arts and dramatic art.
It focuses on this fussion, creating a “stage Dramaturgy”where intentions are embodied and performers build an emotional universe. Movement reveals a theatrical situation full of dramatic meaning.
We investigate on several techniques of Contemporary Dance and related techniques, specially Anthropological Theatre where we have found a real possibility of integrating our “mother tongues”: theatre and dance, but also music and visual arts.
The Company organizes its work in two integrated areas: training and artistic creation.
This pedagogical proposal has been presented in several cities of Spain (Valencia, Almería, Elejido, Madrid) and in Buenos Aires, where we live.
Sponsored by General Direction of Cultural Affairs from Argentina and the Polish Embassy in Argentina. Now the company is working in video dance
- Any additional information about your self or your organization (your BIO or or the Mission of the organization you represent):
- I am a choregrapher,dancer and actress.
I´m the director of "Vacía de Espacio"an independent Dance-theatre company. Now we are working in Habitat our first video dance.
The last project,which I carry out with another dancer,Virginia Varga,has been invited to the "XII Encuentro Internacional de Danza en Paisajes Urbanos Habana Vieja en Movimiento",to be held in La Habana,Cuba in April, 2009. http://www.retazos.cult.cu/
Now we are working in "Habitat" our first video danza
In October 2006 the Company made the debut of" No se te ocurra quererme" choregraphic recital,performing in Apacheta Theatre,Buenos Aires and from July to November 2007 in Tadrón Cultural Centre.
The play has been subsidized by the INT (National Theatre Institute) and Fondo Nacional de las Artes.We have also been invited to the "XII Encuentro International de Danza en Paisajes urbanos Habana Vieja en Movimiento", La Habana,Cuba (April 2007).
On May 2007 was the debut of "Femenino Singular",dance and latin American erotic poetry,in "Frida Khalo Restó", Buenos Aires.
In October 2005 I gave seminars of training in Valencia and Andalucía for the theater company “El Pont Flotant” and the Municipal government of El Ejido and Almería. (Spain). Then, I participated, with a scholarship of the theater company Atalaya TNT and Odin Teatret, of the XIII ISTA (International School of Theater Anthropology) in October 2004. This activity under the auspicies of the Chancellery of Argentina.
I gave training and composition seminars in El Ejido, Andalucía,Spain, October 2004 and I dictated seminars of training for actors and dancers in the School of Circus of Alcorcon and the Madrilenian Improvisation league in Spain, 2001.
I danced under the direction of Cinthia Ranieri in the cicle “Danza de ayer y de hoy”, invited by Paulina Ossona. With this play and together with Virginia Vargas we got a prize for the setting in Bento Goncalvez, Brazil, and first prize in professional duets in COPEARCO.
I participated in several independent theater and dance setting as interpreter and choreographer.
In 1999 I took contact with the Odin Teatret, and started to investigate from its premises, looking for a language that involves music, painting, dance and literature.
In 2001 the experience is completed in Paris when I saw “Viktor” by Pina Baush.
This event definitely influences my future decisions.
Back in Buenos Aires I decide to study dramaturgy
I have attented classes and seminars of training and acting and
Dance
In Spain with the “10&10” Company and “Provisional Danza” (Release Technique)
In Buenos Aires Sensopercepción, Eutonía, Expresión Corporal (Body Expression), Release and Flying Low technique Aerobaties with Esferodinamia I studied painting and drawing fort ten years with Osvaldo Dubatti.
- Additional site
- http://composicion-espontanea.blogspot.com
Carolina De Luca's Photos
Carolina De Luca's Videos
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Puerta, vestido y cielo
Added by Carolina De Luca
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Carolina De Luca's Blog
the space as a partenaire (Just a workshop beside the sea) Mar Azul. Argentina
The performer as a creative subject
and the space as a partenaire
(Just a workshop beside the sea)
January 14 to 17, 2010
El mangrullo de Galito. Mar Azul. Argentina. All you are invited… Continue
and the space as a partenaire
(Just a workshop beside the sea)
January 14 to 17, 2010
El mangrullo de Galito. Mar Azul. Argentina. All you are invited… Continue
Posted on November 9, 2009 at 9:10pm — 1 Comment
Intensive workshop in Buenos Aires
Posted on October 1, 2009 at 9:54am —
Vacía de Espacio Teatro danza Clases y Seminarios 2do Cuatrimestre. Buenos Aires/ Argentina
Vacía de Espacio Teatro danza Clases y Talleres 2do cuatrimestre
1. Danza Teatro: Entrenamiento y Montaje
Abierto a todos los niveles de Experiencia.
Viernes de 19:30 a 22 hs Boedo
Destinado a estudiantes de danza, teatro, músicos, cantantes y artistas de cualquier… Continue
Posted on July 28, 2009 at 8:07pm —
Hermosa recopilación de entrevistas a Pina Bausch/ Radar, Página 12 Argentina
DESPEDIDAS > ADIOS A PINA BAUSCH (1940 - 2009)
Los pasos perdidos
Por Pina Bausch
¿Hago teatro o hago danza? Una pregunta que no me planteo jamás. En todo caso la respuesta puede que esté en la definición de mi compañía: se denomina de teatro y danza. Las dos disciplinas v… Continue
Los pasos perdidos
Por Pina Bausch
¿Hago teatro o hago danza? Una pregunta que no me planteo jamás. En todo caso la respuesta puede que esté en la definición de mi compañía: se denomina de teatro y danza. Las dos disciplinas v… Continue
Posted on July 8, 2009 at 7:27pm —
Spontaneous composition: Kandinsky en los pies cruce entre danza y artes plásticas/ Buenos Aires
Spontaneous Composition
The open meetings of Spontaneous Composition are thought as a space of dialogue, training and creation where the diversity and integration of languages are considered the founding premises of the project.
The directors of the project will give technical and theorical elements around a specific point (from Qi Gong practise and Contact Improvisation), emphasising on developing a state of awareness, a gentle attitude to our body.
Research, improvisation and compositi… Continue
The open meetings of Spontaneous Composition are thought as a space of dialogue, training and creation where the diversity and integration of languages are considered the founding premises of the project.
The directors of the project will give technical and theorical elements around a specific point (from Qi Gong practise and Contact Improvisation), emphasising on developing a state of awareness, a gentle attitude to our body.
Research, improvisation and compositi… Continue
Posted on July 3, 2009 at 10:25pm —
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Idanca.net (Brazil)
II Seminário Economia da Dança: formalidade é tema polêmico
A questão da informalidade do fazer artístico foi uma das polêmicas do II Seminário Economia da Dança. Os debates sobre esse e outros assuntos seguem a partir de agora no blog. Saiba como participar.Obra de Hélio Oiticica inspira trabalho
Inspirado no trabalho Núcleos, de Hélio Oiticica, o espetáculo Nucleares será apresentado de quinta-feira a domingo (12 a 15/11) no Teatro de Dança, em São Paulo. A peça é encenada pela Cia. Mariana Muniz de Teatro e Dança.
Depois da minitemporada no…
Conheça os selecionados para o Rumos Dança na área de Videodança
O Instituto Itaú Cultural divulgou os selecionados na área de Videodança para o programa Rumos 2009/2010. Foram escolhidos cinco projetos dentre os 14 que haviam sido pré-selecionados em agosto (clique aqui para saber mais). Esse grupo foi escolhido após master class com…
Clowns e xadrez em trabalho na Sala Crisantempo
A J. Garcia Dança Contemporânea apresenta Um conto idiota de quinta-feira a sábado (12, 13 e 14/11) na Sala Crisantempo, em São Paulo. O espetáculo foi contemplado com o 6º edital do Programa de Fomento à Dança da Cidade de São…
Reunião discutirá políticas para a dança em São Paulo
Quinta-feira (12/11), profissionais e artistas da dança de São Paulo estão convocados para reunião que será realizada a partir das 16h, na Funarte/SP (Alameda Nothmann 1.058, Campos Elísios. Telefone: 11 3662-5177).
Na ocasião serão discutidos os seguintes temas: avaliação da Conferência Municipal…
Travel Opportunities: On the Move
We Make Money not Art
Links for 2009-11-11 [del.icio.us]
- bjartlab：V2people + Museum Boijmans Van Beuningen | We need money not art
- Urban Screens
Since the first Urban Screens event in 2005 in Amsterdam, related international conferences have taken place in Manchester in 2007 and Melbourne in 2008. The INC and the MediaLAB are proud to present a day-long program dedicated to current Urban Screens research and practice, in Trouw Amsterdam on 4 December 2009. The event will include a seminar with lectures by Urban Screens researchers and professionals, followed by the launch of the Urban Screens Reader, which is produced by the INC and the University of Melbourne.
Links for 2009-11-10 [del.icio.us]
- How Waterstone's killed bookselling | Books | The Guardian
"The emphasis given to the few is staggering," says Mark Le Fanu, general secretary of the Society of Authors. "It's our mid-list authors, who may not write the most commercial books but who often write the best, who are suffering. The big corporate publishers dominate the shelves and squeeze out smaller publishers." - Notes on an art crisis | Art and design | The Guardian
This recession will bring a sea change in the way we look at, write about, and make art. Adrian Searle reveals what he's looking forward to - Middle class shoplifters help themselves - Telegraph
Middle class shoplifters are stealing luxury items like iPods, cosmetics and even fresh meat in an attempt to maintain their lifestyles in the face of the recession, according to a survey. - Revolution on paper: Mexican Prints 1910 - 1960 at the British Museum, review - Telegraph
An exhibition of prints at the British Museum reflects the social and political upheavals that gripped Mexico over the past century. Rating: * * * * - ordenador de frutas
Cómo es transformada nuestra idea de Naturaleza a partir de los procesos graduales de manipulación tecnológica? Cómo es alterada nuestra idea de Máquina cuando ésta comienza a emplear para su funcionamiento un sustrato orgánico? Dónde trazamos los límites entre lo natural y lo artificial? Tienen estos límites algún sentido? - Gabura: a terrifying vision of a world devastated by climate change | Environment | guardian.co.uk
In Gabura global warming is a bleak reality as villagers face rising sea levels, failed crops and devastating cyclones - Rhizome | Support Rhizome
Rhizome’s 2009 Community Campaign is now underway! The goal is to raise $35,000 by January 8th 2010, with 100% of all donations going towards their programs and new initiatives for artists this year. Now is the time to support Rhizome by making a contribution to help them achieve this essential annual goal. - Lalibre.be - Art/chitecture entre utopie et réalité
A Bordeaux, dans le cadre de la biennale Evento, les Entrepôts Lainés proposent une véritable contre-culture architecturale. - Sanaa Architect Named Director of Venice Architecture Biennial - ARTINFO.com
Japanese architect Kazuyo Sejima has been named director of the 2010 Venice Architecture Biennale. She is the first woman to hold the position - Apostrophist corrects punctuation on street signs - Telegraph
Stefan Gatward, a 62-year-old accountant, has been called a vandal and graffiti artist after he corrected the punctuation on his street signs.
Art Review Videos
ArtReview Close Encounters: Frieze Projects 2009
Artists Stephanie Syjuco, Kim Coleman, Per-Oskar Leu and Ryan Gander speak with ArtReview about their projects for Frieze Art Fair. Interviews by Oliver Basciano and J.J. Charlesworth.ArtReview Close Encounters: Martin Creed
Oliver Basciano meets Martin Creed during rehearsals for his Ballet (Work No. 1020), at Sadler's Wells, London, 16–18 OctoberArtReview Close Encounters: LMCC LentSpace
ArtReview's Tyler Coburn tours the Lower Manhattan Cultural Council's temporary park/art installation, LentSpace, and interviews curator Adam Kleinman and artist Olivier BabinArtReview Close Encounters: Athanasios Argianas
Oliver Basciano speaks with artist Athanasios Argianas on the occasion of his exhibition Until Full Stops Look Like Stars, From Where You Stand, at Max Wigram Gallery, London, through 31 October.ArtReview Close Encounters: The Jarman Award
ArtReview's Laura Allsop attends the Jarman Award ceremony, held at London's Whitechapel Gallery on 22 September, and interviews artist Lindsay Seers, who won for her film installations Extramission 6 and It Has to Be This Way (both 2009)IETM International Network for the Performing Arts
invitation to Culture|Futures from 7 to 9 December in Copenhagen
Culture|Futures is an international collaboration of organisations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age.Engendering Change: Strategies to Combat Gender Stereotypes and Promote Equal Opportunities for Performers in Europe
The new project led by EuroFIA will build on the foundations laid by the first one and will seek to identify clear strategic actions to engender change across the EU.Call for applications / Nomad Dance Academy / Education programme 2010
Nomad Dance Academy invites emerging creators from the field of contemporary dance and related professions, from around the world, to the nomadic dance-research-exchange-creative process.Recreating the Berlin wall with 33.000 people
British performance-artist und curator Martin Butler wants to rebuild the Berlin Wall – not out of steel, concrete and barbed wire, but with people.16è Rencontres du réseau Banlieues d'Europe
Banlieues d’Europe poursuit son travail de repérage de projets artistiques et de réflexion sur les alternatives culturelles, sociales, économiques… A l'heure de la crise économique, il est urgent de mettre en perspective des projets alternatifs dans les quartiers des villes, à l'aide de regards croisés d'artistes, d'habitants, de chercheurs, d'élus, d'urbanistes, d'économistes de différents horizons, repérés en France, en Belgique, en Allemagne, en Roumanie, en Grande-Bretagne, en Italie …© 2009 Created by marlon barrios solano/producer
