Laura Taler, maker of the wonderful A VERY DANGEROUS PASTIME and Village Trilogy, said during her talk at Dance on Camera Festival that one of her professors urged her to use proprioceptive writing as a part of her practice.  "Through PW you learn to listen to your thoughts with impassioned curiosity, reflect on them imaginatively, and set them free."

Put on music that can run for 25 minutes, listen to your thoughts and play on them in print daily.

According to…

With limited resources, how should a dance film service organization best focus their efforts on nurturing the dance filmmaker? Do dance film festivals actually help the dance filmmaker? When DFA's Festival started in 1971, it formed a community, brought the user, producer, and filmmaker together. But now with over 5,000 film festivals and dance film festivals sprouting up everywhere, multiple options to screen your work on-line, what impact does a screening have on a filmmaker's career.…

Wondering how Wim Wenders 3d film on Pina Bausch is being received at Berlin Film Festival, I scanned the website of this famous festival. What can be learned from how they run it?

Asked to do a self-evaluation for DFA's Board, I am exploring a bit beyond the same final report requested by any funding agency, such as NEA. What more could be done?

The Berlin Festival proudly presents 8 categories of films: 1) BIG name fiction features expecting big audiences, 2) art…