All Videos Tagged composer (dance-tech) - dance-tech2024-11-11T02:07:55Zhttps://dancetech.ning.com/video/video/listTagged?tag=composer&rss=yes&xn_auth=noAVATAR (summary video)tag:dancetech.ning.com,2014-03-09:1462368:Video:2107862014-03-09T18:08:12.527ZFreya Bjorg Olafsonhttps://dancetech.ning.com/profile/FreyaBjorgOlafson
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</a> <br></br>AVATAR<br></br>
Video, audio and performance: Freya Björg Olafson<br></br>
Lighting Design: Hugh Conacher<br></br>
Duration: 60 minutes<br></br>
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AVATAR explores methods of creating, validating and disseminating one’s identity through the use of technology and the Internet. The work is inspired by the mantra “I post therefore I am”, whereby Internet power users legitimize their existence by…
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</a><br />AVATAR<br />
Video, audio and performance: Freya Björg Olafson<br />
Lighting Design: Hugh Conacher<br />
Duration: 60 minutes<br />
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AVATAR explores methods of creating, validating and disseminating one’s identity through the use of technology and the Internet. The work is inspired by the mantra “I post therefore I am”, whereby Internet power users legitimize their existence by documenting their lives and uploading this media to personal webpages and blogs.<br />
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AVATAR facilitates an inquiry into what encourages us to share and publicize our lives. Nothing is hidden as the work develops, Freya moves intimately through software, opening and closing files on her personal computer and interacting with the built-in camera. The performance inherently becomes a duet with technology as in AVATAR Freya makes use of live video feeds and projections to magnify, manipulate and effectively broadcast persona and image. Since it’s premiere in 2009 as part of Winnipeg’s Contemporary Dancers season, AVATAR has toured to North Carolina, Toronto, Montreal, Ottawa, North Dakota, Iceland as well as Quito, Manta and Guayaquil in Ecuador. Recently AVATAR received the “Buddies in Bad Times Vanguard Award for Risk and Innovation” at the 2010 Summerworks Theatre Festival in Toronto. In 2012-2013, AVATAR looks forward to presentation in 4 cities in Atlantic Canada as well as Calgary, Alberta as part of the High Performance Rodeo.<br />
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History and Funders:<br />
The AVATAR series began at Studio 303 (Montreal) during a workshop lead by 2boys.tv (video/performance duo, Montreal) in May 2008. Since then the series benefited from significant time at PAF~Performing Arts Forum (St.Erme-Outre-et-Ramecourt, France), SIM – The Association of Icelandic Visual Artists (Reykjavik, Iceland) and at The Barn with Tedd Robinson of 10 Gates<br />
Dancing Inc (Ontario).<br />
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The work was developed with funding from the Winnipeg Arts Council, Manitoba Arts Council, The Canada Council for the Arts and Video Pool Media Arts Center.<br />
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Brief Biography:<br />
Freya Björg Olafson is an interdisciplinary artist who works with video, audio, painting and performance. Her creations have been presented and exhibited nationally as well as internationally at festivals and galleries such as the South Eastern Center for Contemporary Art (North-Carolina), the Plug In Institute for Contemporary Art (Winnipeg), InterAccess Electronic Media Arts Center (Toronto), Dance: made in canada biennial (Toronto), Winnipeg Art Gallery, Núna (now) Festival (Winnipeg, Toronto, Iceland), OchoYmedio / Alas de la Danza (Quito,<br />
Guayaquil, Manta / Ecuador), O.K. Centrum (Linz, Austria), Kling&Bang Galleri (Reykjavik,Iceland), MONA- Museum of New Art ( Detroit) and Tangente Laboratoires Des Movements Contemporains (Montreal). "Lumina" for quintet by Alessandro Perinitag:dancetech.ning.com,2010-10-03:1462368:Video:895732010-10-03T19:39:18.819ZAlessandro Perinihttps://dancetech.ning.com/profile/AlessandroPerini
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</a> <br></br><a href="http://www.alessandroperini.com">http://www.alessandroperini.com</a><br></br>
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Alessandro Perini<br></br>
"Lumina"<br></br>
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for flute, clarinet (also bass clarinet), violin, cello and piano<br></br>
Year: 2005<br></br>
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Lùmina is a piece of electronic music made with acoustic instruments. In fact, it consist of two different concepts, each one recalling a particular…
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</a><br /><a href="http://www.alessandroperini.com">http://www.alessandroperini.com</a><br />
<br />
Alessandro Perini<br />
"Lumina"<br />
<br />
for flute, clarinet (also bass clarinet), violin, cello and piano<br />
Year: 2005<br />
<br />
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Lùmina is a piece of electronic music made with acoustic instruments. In fact, it consist of two different concepts, each one recalling a particular approach to electronic music.<br />
Sections 1, 3 and 5 draw inspiration from musique concrète, where the tape was cut into slices and recombined. Such sections examine the juxtaposition and superimposition of tape slices cut in different manners and filled with various materials, as well as fade in and out techniques.<br />
Sections 2, 4 and 6 refer to sound synthesis (and analysis). They gradually cover the whole acoustic spectrum by means of partials calculated as harmonics<br />
shared by respectively two, three or four fundamentals, with an approximation of an eighth of a tone.<br />
Lùmina is a Latin word which means light, but also aperture. In this metaphorical view of electronic music, aperture is the abrupt or smooth switching from one tape slice to another, or the slow opening of a lowpass filter which lets out more and more higher frequencies, thus letting the light (white noise) pass at last.<br />
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"Lùmina" was finalist at the "...a Camillo Togni" composition contest and was premiered at Teatro Grande, Brescia (Italy) on November 26, 2006, by Dèdalo Ensemble.<br />
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Daniela Cima, flute<br />
Rocco Carbonara, clarinet<br />
Raffaello Negri, violin<br />
Guido Boselli, cello<br />
Elena Pasotti, piano<br />
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Vittorio Parisi, conductor EINSTEIN ON THE BEACH, SEGMENT Itag:dancetech.ning.com,2010-08-15:1462368:Video:844862010-08-15T17:33:44.513ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
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</a> <br></br>This is the opening 10 minutes of, Einstein on the Beach, The Changing Face of Opera, a 1984 documentary on the Brooklyn Academy of Music's production with composer Philip Glass and Producer, Robert Wilson, Lucinda Childs Dance…
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</a><br />This is the opening 10 minutes of, Einstein on the Beach, The Changing Face of Opera, a 1984 documentary on the Brooklyn Academy of Music's production with composer Philip Glass and Producer, Robert Wilson, Lucinda Childs Dance Company. Mirror of Broken Timetag:dancetech.ning.com,2009-08-21:1462368:Video:463852009-08-21T13:27:40.512ZMatthias Oostrikhttps://dancetech.ning.com/profile/MatthiasOostrik
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</a> <br></br>The Mirror of Broken Time reflects the performers live image as a kaleidoscopic collage of body parts and movements. Each fragment of the Mirror separately transposes its reflections time and location, cumulating in a... a... well, just watch the video<br></br>
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I collaborated with choreographer Leonie Kuipers and actress Laura de Boer to explore the possibilities of this strange…
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</a><br />The Mirror of Broken Time reflects the performers live image as a kaleidoscopic collage of body parts and movements. Each fragment of the Mirror separately transposes its reflections time and location, cumulating in a... a... well, just watch the video<br />
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I collaborated with choreographer Leonie Kuipers and actress Laura de Boer to explore the possibilities of this strange machine. Together we forged a short performance in which Laura outsmarts her reflections. The beautiful music of the performance is composed by Michiel Mensingh.<br />
The projection surface of the installation is developed in collaboration with Manuel Rodrigues (Mosfet).<br />
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The Mirror of Broken Time was first presented @ the Festival of Games on invitation by the MiMM.<br />
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Saturday September 18 (2009) the installation and performance will be part of Palais Paradiso, Amsterdam