Videos for nyc - dance-tech2024-12-12T10:47:50Zhttps://dancetech.ning.com/video/video/listForLocation?rss=yes&xn_auth=no&location=nycBullettrun Presents:Parkour On Stage, City Streets and Naturetag:dancetech.ning.com,2009-05-27:1462368:Video:407652009-05-27T17:15:44.532ZBullett Runhttps://dancetech.ning.com/profile/BullettRun
<a href="https://dancetech.ning.com/video/bullettrun-presentsparkour-on"><br />
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</a><br />This Bulllettrun video was screened at APK's (B)East Coast Film Festival 2009. Enjoy and thanks to all involved!
<a href="https://dancetech.ning.com/video/bullettrun-presentsparkour-on"><br />
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</a><br />This Bulllettrun video was screened at APK's (B)East Coast Film Festival 2009. Enjoy and thanks to all involved! wonder-walltag:dancetech.ning.com,2009-04-03:1462368:Video:365932009-04-03T19:51:11.170ZShaunhttps://dancetech.ning.com/profile/Shaun
<a href="https://dancetech.ning.com/video/bullettrun-presentsparkour-on"><br />
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</a> <br></br>spliced together rehearsal footage from 2006....<br></br>
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music: "wonderwall" by oasis (sung by cat power)<br></br>
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choreography & video editing: shaun boyle<br></br>
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dancers: adam mckinney & shaun boyle<br></br>
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The creation of this work was made possible in part by The Field's FAR residencey…
<a href="https://dancetech.ning.com/video/bullettrun-presentsparkour-on"><br />
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</a><br />spliced together rehearsal footage from 2006....<br />
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music: "wonderwall" by oasis (sung by cat power)<br />
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choreography & video editing: shaun boyle<br />
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dancers: adam mckinney & shaun boyle<br />
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The creation of this work was made possible in part by The Field's FAR residencey program. Parkour In New York, Part VI: Parkour vs. Free Runningtag:dancetech.ning.com,2009-02-18:1462368:Video:331752009-02-18T22:47:04.000ZBullett Runhttps://dancetech.ning.com/profile/BullettRun
<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-vi"><br />
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<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-vi"><br />
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</a> Parkour In New York, Part V: David Belle Talks About The Media and Parkourtag:dancetech.ning.com,2009-02-18:1462368:Video:331732009-02-18T22:46:26.473ZBullett Runhttps://dancetech.ning.com/profile/BullettRun
<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-v"><br />
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<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-v"><br />
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</a> Parkour In New York, Part IV: David Belle Introduced At New Yorker Festivaltag:dancetech.ning.com,2009-02-18:1462368:Video:331712009-02-18T22:45:38.132ZBullett Runhttps://dancetech.ning.com/profile/BullettRun
<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-iv"><br />
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<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-iv"><br />
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</a> Parkour In New York, Part III: Where Did Parkour Come From?tag:dancetech.ning.com,2009-02-18:1462368:Video:331692009-02-18T22:45:15.477ZBullett Runhttps://dancetech.ning.com/profile/BullettRun
<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-iii"><br />
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<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-iii"><br />
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</a> Parkour In New York, Part I: How Did You First Learn About Parkour?tag:dancetech.ning.com,2009-02-18:1462368:Video:331652009-02-18T22:44:00.509ZBullett Runhttps://dancetech.ning.com/profile/BullettRun
<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-i-how"><br />
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<a href="https://dancetech.ning.com/video/parkour-in-new-york-part-i-how"><br />
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</a> Parkour Multimedia and Live Performance At The Brooklyn Lyceumtag:dancetech.ning.com,2009-02-18:1462368:Video:331622009-02-18T22:42:46.629ZBullett Runhttps://dancetech.ning.com/profile/BullettRun
<a href="https://dancetech.ning.com/video/parkour-multimedia-and-live"><br />
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<a href="https://dancetech.ning.com/video/parkour-multimedia-and-live"><br />
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</a> Ten Duets on a Theme of Rescuetag:dancetech.ning.com,2008-11-11:1462368:Video:276562008-11-11T22:59:06.251ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/ten-duets-on-a-theme-of-rescue"><br />
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</a> <br></br>by Crystal Pite<br></br>
"I am fascinated by the shared narratives that live in our bodies -- the familiar, repetitive storylines that move across cultures and generations, and the body's role in providing the illustrative shape of those moments. I'm curious about the way in which the body can convey profound meaning through the simplest of gestures, and how distortion, iteration and…
<a href="https://dancetech.ning.com/video/ten-duets-on-a-theme-of-rescue"><br />
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</a><br />by Crystal Pite<br />
"I am fascinated by the shared narratives that live in our bodies -- the familiar, repetitive storylines that move across cultures and generations, and the body's role in providing the illustrative shape of those moments. I'm curious about the way in which the body can convey profound meaning through the simplest of gestures, and how distortion, iteration and analysis of familiar human action provide an opportunity to recognize and re-frame ourselves in each other." A Short Documentary About Parkourtag:dancetech.ning.com,2008-09-21:1462368:Video:244432008-09-21T23:48:23.113ZNadia Lesyhttps://dancetech.ning.com/profile/NadiaLesy
<a href="https://dancetech.ning.com/video/1462368:Video:24443"><br />
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</a><br />A short documentary about Parkour featuring NYPK and Exo in Central Park, Roosevelt Island and Battery Park Summer 2007
<a href="https://dancetech.ning.com/video/1462368:Video:24443"><br />
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</a><br />A short documentary about Parkour featuring NYPK and Exo in Central Park, Roosevelt Island and Battery Park Summer 2007 dance-tech.net @ The Bessies: Hilary Clark receives her award.tag:dancetech.ning.com,2008-09-17:1462368:Video:241012008-09-17T14:33:55.443ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:24101"><br />
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</a> <br></br>Congratulations Hilary!<br></br>
Hilary Clark<br></br>
For a mesmeric body of work as a fearless and magnanimous performer, whose gorgeous, astute, “take no prisoners” interpretations of experimental work -- most notably that of Tere O’Connor, Luciana Achugar, and Fiona Marcotty -- enliven the very evolution of the form itself.<br></br>
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Hilary Clark has had the pleasure to dance with Tere…
<a href="https://dancetech.ning.com/video/1462368:Video:24101"><br />
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</a><br />Congratulations Hilary!<br />
Hilary Clark<br />
For a mesmeric body of work as a fearless and magnanimous performer, whose gorgeous, astute, “take no prisoners” interpretations of experimental work -- most notably that of Tere O’Connor, Luciana Achugar, and Fiona Marcotty -- enliven the very evolution of the form itself.<br />
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Hilary Clark has had the pleasure to dance with Tere O'Connor since 2004. Her interpretation of this art form has been influenced and inspired by many experiences and people. In New York since 1998, she has been investigating process and performance with many artists and choreographers, some of who include Fiona Marcotty, and presently Larissa Velez and Luciana Achugar. Dance Atefacts and the Clowd: Interview with Michelle Ellsworthtag:dancetech.ning.com,2008-09-15:1462368:Video:238962008-09-15T03:04:38.803ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:23896"><br />
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</a> <br></br>This is an interview with Michelle Ellsworth on day before her premiere in NYC of her lecture/performance/dance TIFPRABAP.ORG The Institute For Potential Religious Artifacts Beliefs and Procedures.<br></br>
Interesting artist and compelling performer.<br></br>
Michelle’s TIFPRABAP.ORG mixes performance, sculpture, websites, cartoons, video installations, spread sheets, and dance.…<br></br>
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<a href="https://dancetech.ning.com/video/1462368:Video:23896"><br />
<img src="https://storage.ning.com/topology/rest/1.0/file/get/2177736208?profile=original&width=240&height=180" width="240" height="180" alt="Thumbnail" /><br />
</a><br />This is an interview with Michelle Ellsworth on day before her premiere in NYC of her lecture/performance/dance TIFPRABAP.ORG The Institute For Potential Religious Artifacts Beliefs and Procedures.<br />
Interesting artist and compelling performer.<br />
Michelle’s TIFPRABAP.ORG mixes performance, sculpture, websites, cartoons, video installations, spread sheets, and dance.<br />
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<a href="http://michelleellsworth.com/">http://michelleellsworth.com/</a> Susan Marshall - Cloudlesstag:dancetech.ning.com,2008-08-28:1462368:Video:225382008-08-28T18:20:20.236ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:22538"><br />
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</a><br />"Cloudless is dramatically taut and emotionally rich.. Susan Marshall is one of the most significant choreographers working today." --The New York Times
<a href="https://dancetech.ning.com/video/1462368:Video:22538"><br />
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</a><br />"Cloudless is dramatically taut and emotionally rich.. Susan Marshall is one of the most significant choreographers working today." --The New York Times Playing the Building/performancetag:dancetech.ning.com,2008-08-26:1462368:Video:223242008-08-26T02:40:27.804ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:22324"><br />
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</a> <br></br>In conjunction with Creative Time, Playing the Building is an installation by David Byrne that transformed a 9,000 square foot abandoned room in Lower Manhattan's Battery Maritime Building into an instrument for the summer. An antique pump organ controls devices that create sounds using the building's infrastructure, including heating pipes, metal beams and pillars.<br></br>
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For a…
<a href="https://dancetech.ning.com/video/1462368:Video:22324"><br />
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</a><br />In conjunction with Creative Time, Playing the Building is an installation by David Byrne that transformed a 9,000 square foot abandoned room in Lower Manhattan's Battery Maritime Building into an instrument for the summer. An antique pump organ controls devices that create sounds using the building's infrastructure, including heating pipes, metal beams and pillars.<br />
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For a special event last month, curator Mark Beasley invited accomplished musicians to perform an improvisational piece with the building. The result is a captivating musical experience. paris is burningtag:dancetech.ning.com,2008-08-23:1462368:Video:222482008-08-23T22:45:18.546ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:22248"><br />
<img src="https://storage.ning.com/topology/rest/1.0/file/get/2177731742?profile=original&width=130&height=97" width="130" height="97" alt="Thumbnail" /><br />
</a><br />A Willi ninja tribute
<a href="https://dancetech.ning.com/video/1462368:Video:22248"><br />
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</a><br />A Willi ninja tribute dance-tech.net presents: dance as a way of knowing: interview with Alva Noëtag:dancetech.ning.com,2008-06-17:1462368:Video:195942008-06-17T01:32:00.769ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:19594"><br />
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</a> <br></br>Embodied Techne Series<br></br>
02<br></br>
Marlon Barrios Solano interviewed the philosopher of Alva Noë in his brief visit to NYC. He explains his line of inquiry on perception and action and why dance (and human movement) is relevant for the understanding and development of consciousness. He also talks about his experience with the Lisa Nelson's "Tunning Scores" joint workshop and how certain…
<a href="https://dancetech.ning.com/video/1462368:Video:19594"><br />
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</a><br />Embodied Techne Series<br />
02<br />
Marlon Barrios Solano interviewed the philosopher of Alva Noë in his brief visit to NYC. He explains his line of inquiry on perception and action and why dance (and human movement) is relevant for the understanding and development of consciousness. He also talks about his experience with the Lisa Nelson's "Tunning Scores" joint workshop and how certain approaches to dance training and composition can collaborate with science and philosophy in generating knowledge from an embodied perspective.<br />
He is the author of the book "Action in Perception".<br />
<a href="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10257">http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10257</a><br />
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Alva Noe's bio from his website:<br />
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I am a Professor of Philosophy at the University of California, Berkeley<br />
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I work principally on the philosophy of mind and cognitive science, with special interest in the theory of perception. I am also interested in the philosophy of art, the history of analytic philosophy, Phenomenology, and Wittgenstein.<br />
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I am member of the UC Berkeley Institute for Cognitive and Brain Sciences and I am on the faculty of Berkeley's Cognitive Science Program. I am also a member of the new UC Berkeley Center for New Media.<br />
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During the 2007-2008 academic year I will be a Fellow of the Wissenschaftskolleg zu Berlin (Institute for Advanced Study in Berlin).<br />
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From 10 August 2007, through mid-July 2008, I can be reached by mail at the following address: Alva Noë; Fellow; Wissenschaftskolleg zu Berlin; Wallotstrasse 19; 14193 Berlin; Germany.<br />
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Produced by Marlon Barrios Solano for dance-tech.net choreography reel short versiontag:dancetech.ning.com,2008-04-16:1462368:Video:159082008-04-16T19:37:37.683ZDon Nicolahttps://dancetech.ning.com/profile/DonNicola
<a href="https://dancetech.ning.com/video/1462368:Video:15908"><br />
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</a> <br></br>Donovan is an established spoke's person on hip-hop trends & culture with numerous appearances on national syndicated talk shows like Oprah, Video Music Box, BET’s Rap City & various MTV shows. With over 15 years of professional entertainment and artist development experience working, with many established production companies &…
<a href="https://dancetech.ning.com/video/1462368:Video:15908"><br />
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</a><br />Donovan is an established spoke's person on hip-hop trends & culture with numerous appearances on national syndicated talk shows like Oprah, Video Music Box, BET’s Rap City & various MTV shows. With over 15 years of professional entertainment and artist development experience working, with many established production companies & labels. Petronio's Dancers: Interviewd by The Joyce Blogtag:dancetech.ning.com,2008-04-02:1462368:Video:146092008-04-02T15:51:24.417ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:14609"><br />
<img src="https://storage.ning.com/topology/rest/1.0/file/get/2177727094?profile=original&width=130&height=97" width="130" height="97" alt="Thumbnail" /><br />
</a><br />Kathryn sits with Michael Badger and Amanda Wells, dancers with Stephen Petronio Company.
<a href="https://dancetech.ning.com/video/1462368:Video:14609"><br />
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</a><br />Kathryn sits with Michael Badger and Amanda Wells, dancers with Stephen Petronio Company. What Is Dance Anyway?: Interview with Karen Bernardtag:dancetech.ning.com,2008-03-30:1462368:Video:143072008-03-30T06:59:08.336ZMarlon Barrios Solanohttps://dancetech.ning.com/profile/network_producer
<a href="https://dancetech.ning.com/video/1462368:Video:14307"><br />
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</a> <br></br>Interview with Karen Bernard director of new dance alliance and producer of the Performance Mix Festival.<br></br>
<a href="http://www.newdancealliance.org/about-pmix.htm">http://www.newdancealliance.org/about-pmix.htm</a><br></br>
Formed in 1979, New Dance Alliance (NDA) is a non-profit tax exempt arts service organization whose mission is to actively promote emerging forms of innovative dance,…
<a href="https://dancetech.ning.com/video/1462368:Video:14307"><br />
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</a><br />Interview with Karen Bernard director of new dance alliance and producer of the Performance Mix Festival.<br />
<a href="http://www.newdancealliance.org/about-pmix.htm">http://www.newdancealliance.org/about-pmix.htm</a><br />
Formed in 1979, New Dance Alliance (NDA) is a non-profit tax exempt arts service organization whose mission is to actively promote emerging forms of innovative dance, video, music, and interdisciplinary performance work. NDA was founded to support an artistic community with limited institutional resources, and to provide this community with increased opportunities to share experimental works with the public. Today NDA remains dedicated to its founding principals and has expanded its programming to include services that enable artists’ career advancement.