2024-12-11T08:50:55Z https://dancetech.ning.com/video/video/listForContributor?screenName=0heppmocd1qs5&rss=yes&xn_auth=no tag:dancetech.ning.com,2010-05-03:1462368:Video:69254 2010-05-03T03:27:09.292Z bill shannon https://dancetech.ning.com/profile/billshannon

<a href="https://dancetech.ning.com/video/ruff-cut-no-audio-bill-shannon"><br /> <img alt="Thumbnail" height="135" src="https://storage.ning.com/topology/rest/1.0/file/get/2177759549?profile=original&amp;width=240&amp;height=135" width="240"></img><br /> </a> <br></br>this eight camera composite shot captures a solo dance performance by Bill Shannon from multiple angles and compiles them together with the ultimate intention of presenting the video channels as composited in real space as a 3 dimensional sculptural medium consisting of holoscreens projectors and metal…

<a href="https://dancetech.ning.com/video/ruff-cut-no-audio-bill-shannon"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/2177759549?profile=original&amp;width=240&amp;height=135" width="240" height="135" alt="Thumbnail" /><br /> </a><br />this eight camera composite shot captures a solo dance performance by Bill Shannon from multiple angles and compiles them together with the ultimate intention of presenting the video channels as composited in real space as a 3 dimensional sculptural medium consisting of holoscreens projectors and metal framing.. tag:dancetech.ning.com,2009-03-06:1462368:Video:34570 2009-03-06T20:02:40.178Z bill shannon https://dancetech.ning.com/profile/billshannon

<a href="https://dancetech.ning.com/video/visa-ad-bill-shannon-joey"><br /> <img alt="Thumbnail" height="90" src="https://storage.ning.com/topology/rest/1.0/file/get/2177738633?profile=original&amp;width=120&amp;height=90" width="120"></img><br /> </a> <br></br>ad is based on my performance in rjd2's work it out music video. VISA campaign is called "FLOW". not really a tech post unless you consider the steadycam guy slinging a 35mm around while riding a segway like a unicycle.. the handles were missing and he had installed a bike seat…

<a href="https://dancetech.ning.com/video/visa-ad-bill-shannon-joey"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/2177738633?profile=original&amp;width=120&amp;height=90" width="120" height="90" alt="Thumbnail" /><br /> </a><br />ad is based on my performance in rjd2's work it out music video. VISA campaign is called "FLOW". not really a tech post unless you consider the steadycam guy slinging a 35mm around while riding a segway like a unicycle.. the handles were missing and he had installed a bike seat post!. tag:dancetech.ning.com,2008-12-18:1462368:Video:29827 2008-12-18T15:17:37.878Z bill shannon https://dancetech.ning.com/profile/billshannon

<a href="https://dancetech.ning.com/video/the-shannon-technique"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/2177736194?profile=original&amp;width=120&amp;height=90" width="120" height="90" alt="Thumbnail" /><br /> </a><br />how and why dance on crutches exists for me and where it has evolved. details of the technique.

<a href="https://dancetech.ning.com/video/the-shannon-technique"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/2177736194?profile=original&amp;width=120&amp;height=90" width="120" height="90" alt="Thumbnail" /><br /> </a><br />how and why dance on crutches exists for me and where it has evolved. details of the technique. tag:dancetech.ning.com,2008-12-18:1462368:Video:29825 2008-12-18T15:14:08.212Z bill shannon https://dancetech.ning.com/profile/billshannon

<a href="https://dancetech.ning.com/video/poptech-dance-as-sociological"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/2177736167?profile=original&amp;width=130&amp;height=97" width="130" height="97" alt="Thumbnail" /><br /> </a><br />bill shannon discusses the ideas and implications inherent in his dance and life.

<a href="https://dancetech.ning.com/video/poptech-dance-as-sociological"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/2177736167?profile=original&amp;width=130&amp;height=97" width="130" height="97" alt="Thumbnail" /><br /> </a><br />bill shannon discusses the ideas and implications inherent in his dance and life. tag:dancetech.ning.com,2008-12-18:1462368:Video:29820 2008-12-18T13:35:52.884Z bill shannon https://dancetech.ning.com/profile/billshannon

<a href="https://dancetech.ning.com/video/mobile-360-video-capture-rig"><br /> <img alt="Thumbnail" height="180" src="https://storage.ning.com/topology/rest/1.0/file/get/2177736248?profile=original&amp;width=240&amp;height=180" width="240"></img><br /> </a> <br></br>The piece featured in this short excerpt is titled "BENCH" and is one part of the trilogy, Shannon Public Works (SPW) WINDOW BENCH TRAFFIC. Each of the works within SPW represent divergent strategies of providing an invited or ticketed audience with an authentic experience of a transient form within the urban environment. Central to the conceptual development of SPW was the notion…

<a href="https://dancetech.ning.com/video/mobile-360-video-capture-rig"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/2177736248?profile=original&amp;width=240&amp;height=180" width="240" height="180" alt="Thumbnail" /><br /> </a><br />The piece featured in this short excerpt is titled "BENCH" and is one part of the trilogy, Shannon Public Works (SPW) WINDOW BENCH TRAFFIC. Each of the works within SPW represent divergent strategies of providing an invited or ticketed audience with an authentic experience of a transient form within the urban environment. Central to the conceptual development of SPW was the notion of a Transient Specific Work (as opposed to a site specific work) and how to mediate the impact of the live audience or camera on the environment the transient work thrives within. With BENCH the audience is provided an “in situ” experience of navigating the streets in 360 degrees through a synchronized six channel in the round video installation. The social and vehicular patterns that were naturally occurring around the transient form were preserved, in BENCH, through the employment of an unassuming dressed down suitcase rig featuring multiple micro-cameras. The original work was 16 min long and presented by Douz and Mille Gallery as part of Bill Shannon’s solo exhibit WORK in Manhattan 7/08. WINDOW was presented by LMCC in Manhattan 9/07, and Traffic was presented by MCA Chicago in 6/06. I will be posting excerpts of WINDOW and TRAFFIC here soon.