Lets consider a city Milano and try to listen to it, in its wholeness. Millions of vehicles and machines stirring chaotically, punctuating the rhythm of our affairs on Earth.

We deem this ocean of unwelcome sounds mostly as noise. This soundscape eludes our control: we barely rectify it, yet we cant give it up, since its embodied in the truck carrying our food, in the tram taking us to work, in the construction site building our houses. Its the sound of contemporaneity.

Sounds can be sculpted. We can use noise as raw material to start with. Noise is at the same time no sound and all the possible sounds. Just as white light contains all the colours, noise contains countless sounds.

Therefore, instead of using musical instruments we have ground and crumbled noise in very fine components, building from these elements orchestras made up of roads and airplanes, people and
cars. We have created music from a scrap of our society.

Everything is transformed. Nothing resembles anymore its former essence. Airplanes become microscopic percussions, cars are turned into metallic pianos, hollow murmurs and waterish illusions. Braking and tailpipes screeches become tides of the thinnest strings.

www.audioscan.it


Concept and art direction
Giorgio Sancristoforo

Music
Giorgio Sancristoforo e Giuseppe Cordaro

Video
Quayola

Production
AGON
Basemental

Organizational
Danilo Cardillo

Tech consultant
Massimo Marchi

Field recording
Diego Del Sarto
Alessandro Roggero
Luca DAloia
Eliana Varlaro
Dario Persi
Daniele Filaretti

Software & sound design
Giorgio Sancristoforo

Assistant sound designers
Diego Del Sarto
Alessandro Roggero

Touchscreen software
Daniele Pagliero

Catalog
Postmediabooks

Production assistants
Cecilia Vanoletti
Walter DAversa

Thanks to
Dalila Sena
Pietro Pirelli
Vittoria Broggini
Silvia Sartorio
Len Sasso
Simone Tosoni
Marco Fringuellino
Massimo Gardella
Olindo Genovese