dance-tech

For piece in the middle East

I remember the first time I dimensioned the matter of the performance, was when read in a magazine about the performer artist Regina Galindo, winner of a Veins festival, that work consisted in wet their feet’s in menstrual blood and walk for street leaving his fingerprint , as an act of denounce of the massive violence against a guatemalan’s country women. The juror choose she because, Regina made them feel the humiliation of those women. I was very amazed, the impact level that this performance cause on the spectator, that since then the curiosity about this discipline was born on my.
I don’t have clear certain performatics concepts yet, I’m just getting myself up on this communicative vehicle, putting my on this medio without medios , to this alive expression out of illusory formats, hugging me on the Joseph Beuys words “every human being is an artist, and every action, a piece of art ”. That incites me to dare

That’s why I make the next action:
For peace in the Middle East

March, 28, Concepción Chile
Taking a conflict that moved me for lots of years, eventhought I am not Jewish or Arabian .
Love and humanity transcend old race and ethnic.

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Humans exploring collaboration, coops, hybrid art, dance, embodiment, cognition, tech-science, networks, post-humanism and culture.

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