dance-tech.net

Interdisciplinary explorations on the performance of motion

marlon barrios solano/producer

Collaborative editing for dance-tech.net

Information

Collaborative editing for dance-tech.net

Interested in collaborating with the network helping with video editing of the interviews and other relevant content. Editors will be given the raw material to be edited locally or online using JUMPCUT. http://www.jumpcut.com/myhome/dancetechnet

Members: 12
Latest Activity: Oct 14

Let's edit together!




We are creating this opportunity for collaboration and distributed authorship experimenting with on-line collaborative video editing.


I propose to the members of this network to experiment with editing digital content collaboratively using the on-line editing platform JumpCut (http://www.jumpcut.com/dancetechnet).

How to collaborate/participate:

I am proposing to develop the knowledge base for our network collaborating editing the interviews or video podcasts.

Editing the interviews for the podcasts of this network is a great experience, specially because it forced you to constructively dissect the words and ideas of very experienced, smart peers and pioneers in the field.

I will upload raw cuts/clips from the interviews and its relevant performance/installation video material and any member (anybody) of the network will be able to:

1.-Access the raw material of the interviews and just watch (consumer). It is OK!

2.-Edit an interview with or without relevant material illustrating or augmenting ideas. (Prosumer). Super cool!

3.-We can also re-edit and re-contextualize the already edited material.

What to do?

1.-Join this group in dance-tech.net.

2.-Create your account in Jumpcut and join to a group called "dance-tech.net/knowledge base". In this way we create a circle of collaborators.

3.-Select an specific "set" of clips for an specific interviewee, "grab it" and create your version and let us know which one you would like to work with. The sets will have a name and a "ready for edit". That means that the set is complete from my end, and I have uploaded al the material that I consider relevant. It is ready, go for it!.


4.-Editing in Jumpcut is very easy and intuitive even more if you have experience with Final Cut or other. the interface is like IMovie on-line.

IMPORTANT: the only guideline for the interviews is that you use the material that is given and mix it with the relevant topic. I suggest use simple transitions and no effects that alter color and speed.



We can adjust and learn as we go along!

NOTE: Jumpcut does not allow you to export the edited video.

Discussion Forum

Start a Discussion

Nobody has added any discussions yet! Add a discussion to get started.

Start a Discussion

Comment Wall (2 comments)

Add a Comment

You need to be a member of Collaborative editing for dance-tech.net to add comments!

2 Comments

Jeannette Ginslov Comment by Jeannette Ginslov on June 30, 2009 at 9:42am
Hey Marlon, So how can I be involved with editing for dance-tech and what other platform can we use if jumpcut is no longer useable? best jeannette
marlon barrios solano/producer Comment by marlon barrios solano/producer on April 2, 2008 at 12:09am
Hello group,
I am sorry that took me so long to get back to you...so how are you?
Thank you for responding to this initiative.
I have to finish organizing the clips.
There is some material that I woul like to get out there first:
Golan Levin (Interview and installation images at Bitforms)
David Zambrano ( Improvisational performance)
Emmanualle Hyung (Solo A Adaptation from Debora Hay)
Michel Waisvisz, from STEIM and cool footage from concert and the Hands instrument,
San Wijams with three cool performance (one with stelarc),
So, please let me know when you will be ready to start and pick one that resonate with you.
be well and thank you!
marlon
 

Members (12)

marlon barrios solano/producer Julie N. Cruse Yukihiko YOSHIDA Phyllis Bulkin Lehrer Susan Elena mpgough Domitilla Olivieri Rachel Boggia Jeannette Ginslov Aaron Jeffrey Marilynn Danitz Alison Dobbins
 
 

Partnerships and connections!

Premium Partners

Go to Connections page!

Help dance-tech.net!

Make a donation on-line using PayPal! Any amount would help!


Set up a monthly $ 5.00 donation to dance-tech.net
for a year!

Idanca.net (Brazil)

Mostra exibe trabalhos selecionados em edital

Acontecem neste sábado e domingo (14 e 15/11) as apresentações dos projetos selecionados na 1ª edição do edital Novos Coreógrafos – Novas Criações: Site Specific, lançado pelo Centro Cultural São Paulo (CCSP). O edital contemplou seis trabalhos inéditos, criados especificamente…

O que passou e o que ainda virá no Panorama 2009

Se você não pode estar presente ao Festival Panorama 2009, assista aqui a alguns dos vídeos produzidos nessa primeira semana de atividades. E programe-se para o que ainda está por vir!

II Seminário Economia da Dança: informalidade é tema polêmico

A questão da informalidade do fazer artístico foi uma das polêmicas do II Seminário Economia da Dança. Os debates sobre esse e outros assuntos seguem a partir de agora no blog. Saiba como participar.

Obra de Hélio Oiticica inspira trabalho

Inspirado no trabalho Núcleos, de Hélio Oiticica, o espetáculo Nucleares será apresentado de quinta-feira a domingo (12 a 15/11) no Teatro de Dança, em São Paulo. A peça é encenada pela Cia. Mariana Muniz de Teatro e Dança.

Depois da minitemporada no…

Conheça os selecionados para o Rumos Dança na área de Videodança

O Instituto Itaú Cultural divulgou os selecionados na área de Videodança para o programa Rumos 2009/2010. Foram escolhidos cinco projetos dentre os 14 que haviam sido pré-selecionados em agosto (clique aqui para saber mais). Esse grupo foi escolhido após master class com…

We Make Money not Art

Links for 2009-11-13 [del.icio.us]

  • McDonald's advertises for staff to work at Guantánamo Bay - Telegraph
    McDonald's is advertising for staff to work at Guantánamo Bay, in what might be the perfect opportunity for anyone looking to see out the recession in warmer climes.
  • Jerusalem Dispossessed | Activestills
    If Jerusalem is to remain the symbol of peace and tole-rance it cannot be a ghetto for anyone or owned by any particular group. In the same year that Israel celebrates 40 years of the so-called “unity” of Jerusalem, the city has been divided by force, discrimination and injustice. In the “holy city” of 2007, it seems that the only god is “security” and real estate. Israeli policy is drawing a twisting path of a wall that more than anything ensures more conflict, suffering and despair. The future of Israel cannot be built by blocking the potential of the other. Any negotiation taking place while facts and borders are aggressively being determined according to one side’s interests, is just an illusion. Without real freedom and respect of the other’s right to live in dignity, there is no basis for political negotiation. October 2007
  • Resisting the Capitalist Production of Space.
    “Ten Days for Oppositional Architecture” takes up the task of exploring possibilities and conditions of a socially committed architectural practice. Therefore the narrow boundaries of the profession have to be left behind. We hence invite activists, geographers, architects, planners, and economists representing different critical approaches to discuss and develop concepts and practices that not only try to oppose and challenge the capitalist mode of production of space, but also try to go beyond it – strategies of de-commodification, re-appropriation and alternative production of space.
  • FCForum
    We, a broad coalition from over 20 countries, of hundreds of thousands of citizens, users, consumers, organizations, artists, hackers, members of the free culture movement, economists, lawyers, teachers, students, researchers, scientists, activists, workers, unemployed, entrepreneurs, creators… We invite all citizens to make this Charter theirs, share it and put it into practice. We invite all governments, multinationals and institutions urgently to listen to it, understand it and enforce it.
  • Provisions Library » Blog Archive » Activist Listening
    Raqs Media Collective reaches well beyond the confines of the art world to appeal to communities both on and off line. “Raqs” translates into “dance” in Farsi, Arabic, and Urdu. But founding members Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta once jokingly stated, however, that raqs stands for “rarely asked questions.”
  • 'Vomit on the table' and speak like a 1950s hipster | Culture | The Guardian
    The Guidelines: Random notes from pop culture
  • Israel 'personally attacking human rights group' after Gaza war criticism | World news | guardian.co.uk
    Human Rights Watch denies having political agenda or seeking funds from Saudi Arabia
  • L'arte formato reportage Milano celebra McCurry - Recensioni - Arte - Repubblica.it
    Grande mostra sul maestro, pluripremiato dal World Press Photo Award. Oltre 200 scatti da Beirut alla Cambogia, dall'11 settembre alla ragazza di Peshawar
Continue

Mark Amerika retrospective at the National Museum of Contemporary Art in Athens

70k
Developing projects on the net, filming with mobile phones, remixing common moments and figures of today`s culture in an VJ-like audiovisual rhythm, Amerika redifines the characteristics of today's culture and opens up the possibilities for new interpretations and thoughts from the audience itself continue


Continue

Art Review Videos

ArtReview Close Encounters: Frieze Projects 2009

Artists Stephanie Syjuco, Kim Coleman, Per-Oskar Leu and Ryan Gander speak with ArtReview about their projects for Frieze Art Fair. Interviews by Oliver Basciano and J.J. Charlesworth.

ArtReview Close Encounters: Martin Creed

Oliver Basciano meets Martin Creed during rehearsals for his Ballet (Work No. 1020), at Sadler's Wells, London, 16–18 October

ArtReview Close Encounters: LMCC LentSpace

ArtReview's Tyler Coburn tours the Lower Manhattan Cultural Council's temporary park/art installation, LentSpace, and interviews curator Adam Kleinman and artist Olivier Babin

ArtReview Close Encounters: Athanasios Argianas

Oliver Basciano speaks with artist Athanasios Argianas on the occasion of his exhibition Until Full Stops Look Like Stars, From Where You Stand, at Max Wigram Gallery, London, through 31 October.

ArtReview Close Encounters: The Jarman Award

ArtReview's Laura Allsop attends the Jarman Award ceremony, held at London's Whitechapel Gallery on 22 September, and interviews artist Lindsay Seers, who won for her film installations Extramission 6 and It Has to Be This Way (both 2009)

IETM International Network for the Performing Arts

invitation to Culture|Futures from 7 to 9 December in Copenhagen

Culture|Futures is an international collaboration of organisations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age.

Engendering Change: Strategies to Combat Gender Stereotypes and Promote Equal Opportunities for Performers in Europe

The new project led by EuroFIA will build on the foundations laid by the first one and will seek to identify clear strategic actions to engender change across the EU.

Call for applications / Nomad Dance Academy / Education programme 2010

Nomad Dance Academy invites emerging creators from the field of contemporary dance and related professions, from around the world, to the nomadic dance-research-exchange-creative process.

Recreating the Berlin wall with 33.000 people

British performance-artist und curator Martin Butler wants to rebuild the Berlin Wall – not out of steel, concrete and barbed wire, but with people.

16è Rencontres du réseau Banlieues d'Europe

Banlieues d’Europe poursuit son travail de repérage de projets artistiques et de réflexion sur les alternatives culturelles, sociales, économiques… A l'heure de la crise économique, il est urgent de mettre en perspective des projets alternatifs dans les quartiers des villes, à l'aide de regards croisés d'artistes, d'habitants, de chercheurs, d'élus, d'urbanistes, d'économistes de différents horizons, repérés en France, en Belgique, en Allemagne, en Roumanie, en Grande-Bretagne, en Italie …
 

© 2009   Created by marlon barrios solano/producer

Badges  |  Report an Issue  |  Privacy  |  Terms of Service